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Orchestration Masterclass, Part 3: Lines and Doublings

Every aspect of composing for the orchestra whether you are working with real players or sampled orchestra libraries.
4.9
4.9/5
(9 reviews)
297 students
Created by

9.6

CourseMarks Score®

10.0

Freshness

9.0

Feedback

9.3

Content

Platform: Udemy
Video: 4h 26m
Language: English
Next start: On Demand

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Detailed Analysis

CourseMarks Score®

9.6 / 10

CourseMarks Score® helps students to find the best classes. We aggregate 18 factors, including freshness, student feedback and content diversity.

Freshness Score

10.0 / 10
This course was last updated on 4/2022.

Course content can become outdated quite quickly. After analysing 71,530 courses, we found that the highest rated courses are updated every year. If a course has not been updated for more than 2 years, you should carefully evaluate the course before enrolling.

Student Feedback

9.0 / 10
We analyzed factors such as the rating (4.9/5) and the ratio between the number of reviews and the number of students, which is a great signal of student commitment.

New courses are hard to evaluate because there are no or just a few student ratings, but Student Feedback Score helps you find great courses even with fewer reviews.

Content Score

9.3 / 10
Video Score: 8.2 / 10
The course includes 4h 26m video content. Courses with more videos usually have a higher average rating. We have found that the sweet spot is 16 hours of video, which is long enough to teach a topic comprehensively, but not overwhelming. Courses over 16 hours of video gets the maximum score.
Detail Score: 9.8 / 10

The top online course contains a detailed description of the course, what you will learn and also a detailed description about the instructor.

Extra Content Score: 9.9 / 10

Tests, exercises, articles and other resources help students to better understand and deepen their understanding of the topic.

This course contains:

9 articles.
22 resources.
0 exercise.
0 test.

Table of contents

Description

This course is certified 5-stars by the International Association of Online Music Educators and Institutions.
100% Answer Rate! Every single question posted to this class is answered within 24 hours by the instructor.
Are you a music maker, performer, composer, or aspiring songwriter looking to up your game? This is the place to start.
It’s time to learn orchestration to give your music the power and the passion that it deserves.
Orchestration is the study of each instrument in the orchestra, how they work, how to write for them, and how each instrument collides with the others to make new sounds. Think of it like painting: The orchestra is your palette of colors. But you don’t want to just mix them all together. You need to understand some principles of mixing those colors together before you put your brush on canvas.
In this series of classes we are going to work on three things: 
•Instrumentation: Knowing how all of the instruments in the orchestra work, and how to write for them in an idiomatic way.
•Composition: Using the orchestra to write powerful music. Learning how to blend the different sounds of the orchestra to make a new, unique, sound.
•Synthestration: Using common production software (Ableton Live, FL Studio, Logic Pro, Pro Tools, Cubase, etc.) to create a realistic orchestra sound using sample libraries.
In this class, “Part 3: Lines and Doubling” we are going to focus on building out our orchestration using “doublings” and other techniques to make a rich, full, sound. We are going to focus on each instrument’s “envelope” to help us discover how to blend instruments to create the colors that we want out of our orchestra.

If you don’t know me, I’ve published a lot of classes here. Those classes have been really successful (top sellers, in fact!), and this has been one of the most requested classes that my students (over 1,000,000 of them) have asked for. I’m really excited to finally be able to bring this to you.

Here is a list of some of the topics we will cover:
•Setting up Orchestra Sample Libraries
•Using Professional music notation software
•Foreground, middle ground, and background orchestration
•Orchestration for color
•Doubling
•The 6 methods of doubling in a line
•Doubling for a thin and clean sound
•Doubling for warmth
•Doubling techniques for a powerful organ-like sound
•ADSR Envelopes in the orchestra
•Doubling for harmonic density
•Looking at the masters: Bach, B Minor Mass
•Looking at the masters: Tschaikovsky, Symphony No. 6
•Looking at the masters: Moussorgsky (Ravel), Pictures at an Exhibition
•And Much, Much, More!

My Promise to You:
I am a full-time Music composer and Educator. If you have any questions please post them in the class or send me a direct message. I will respond within 24 hours. And if you find this class isn’t for you, I am more than happy for you to take advantage of the 30-day money-back guarantee. No questions asked.

What makes me qualified to teach you?
In addition to being a composer and educator,  I also have a Ph.D. in music, I am a university music professor, and have a long list of awards for teaching.
But more importantly: I use this stuff every day. I write music professionally, I am an active guitarist, and I stay on top of all the latest production techniques, workflows, and styles. As you will see in this class, I just love this stuff. And I love teaching it.

Let’s get started! 
See you in lesson 1.
All best,
Jason (but call me Jay…)

You will learn

✓ Compose music for the orchestra
✓ The unique properties of every instrument in the orchestra
✓ How writing for the orchestra works, including scores, parts, shared parts, and more.
✓ Making your synthesized orchestrations sounds great!
✓ How to write music for brass.
✓ How to write music for voice and choir

Requirements

• Understanding how to read music, or the basic principals of notated music will be helpful but is not required.
• Orchestration Masterclass, Part 1: The Strings and The Winds is very helpful to have completed prior to this course, but is not required.
• Orchestration Masterclass, Part 2: Brass, Voice, & Guitar is very helpful to have completed prior to this course, but is not required.

This course is for

• Anyone who wants to compose music for the orchestra
• Anyone who wants to learn instrumentation and orchestration
• Producers of any genre interested in getting the sound of a sampled orchestra into their music.
• Musicians interested in how the orchestra works.
• Anyone who wants to improve their tracks with orchestra sounds.

How much does the Orchestration Masterclass, Part 3: Lines and Doublings course cost? Is it worth it?

The course costs $14.99. And currently there is a 67% discount on the original price of the course, which was $44.99. So you save $30 if you enroll the course now.

Does the Orchestration Masterclass, Part 3: Lines and Doublings course have a money back guarantee or refund policy?

YES, Orchestration Masterclass, Part 3: Lines and Doublings has a 30-day money back guarantee. The 30-day refund policy is designed to allow students to study without risk.

Are there any SCHOLARSHIPS for this course?

Currently we could not find a scholarship for the Orchestration Masterclass, Part 3: Lines and Doublings course, but there is a $30 discount from the original price ($44.99). So the current price is just $14.99.

Who is the instructor? Is Jason Allen a SCAM or a TRUSTED instructor?

Jason Allen has created 103 courses that got 52,169 reviews which are generally positive. Jason Allen has taught 240,502 students and received a 4.6 average review out of 52,169 reviews. Depending on the information available, Jason Allen is a TRUSTED instructor.
Ph.D / Ableton Certified Trainer
** J. is the #1 best selling music teacher on Udemy. He is the author of the #1 best selling music theory course on Udemy, “Music Theory Comprehensive” (12 parts), and Music Theory for Electronic Musicians (3 parts), which have been purchased by more than 70,000 students in 11 languages in 196 countries.**  
** He is a PhD in music, and a best selling music producer. He brings this authenticity to all of his Udemy courses. **

Jason Allen (better known as J. Anthony Allen) has worn the hats of composer, producer, songwriter, engineer, sound designer, DJ, remix artist, multi-media artist, performer, inventor, and entrepreneur. Allen is a versatile creator whose diverse project experience ranges from works written for the Minnesota Orchestra to pieces developed for film, TV, and radio. An innovator in the field of electronic performance, Allen performs on a set of “glove” controllers, which he has designed, built, and programmed by himself. When he’s not working as a solo artist, Allen is a serial collaborator. His primary collaborative vehicle is the group Ballet Mech, for which Allen is one of three producers. 
J. Anthony Allen teaches at Augsburg University in Minneapolis, MN, where he runs the Music, Media, and Management program. He is also an Ableton Live Certified Trainer,  co-founder, owner and CEO of Slam Academy, a multimedia educational space in downtown Minneapolis, the CTO of Ion Concert Media, and sole owner and producer of music education courses under the umbrella of Punkademic Courses. Recently, Allen founded Hackademica – an innovative net-label for new music. 
J. has a PhD in music composition, 2 Master’s degrees in music composition and electronic music, and a bachelor’s degree in guitar performance. Through his academic travels, Dr. Allen has received numerous awards along the way. 
If you run into him on the street, he prefers to be addressed as J. (as in, Jay.) 

9.6

CourseMarks Score®

10.0

Freshness

9.0

Feedback

9.3

Content

Platform: Udemy
Video: 4h 26m
Language: English
Next start: On Demand

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